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Passing Portrait

QUEER SOUTHERN DAYS

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Passing Portrait invites reflection on the politicization of body and gender: Who has defined the rules, who adapts to the rules and what helps to maintain them?

Passing Portrait is a solo dance performance that exalts and scrutinizes a transmasculine body. Being a cis-passing male body means that the world around you recognizes you as a man, without further questioning it. Passing Portrait is about this "allowed" trans body; a body that is young enough, adult enough, big enough, discreet enough, attractive enough, white enough, whole enough, masculine enough. A body that cautiously treads within the boundaries of what's allowed and doesn't challenge the norms for men and women. A body that isn't questioned for its gender identity, and is therefore allowed to be.

The performance recognizes gender and passing as an activity, a rehearsed choreography where this body is the expert.

Choreography and performer: Viljar Irtun Moe
Sound design: Anna Klungre
Lighting design: Karl Oskar Sørdal
Dramaturgical guidance: Runa Norheim
Producer: Madelaine Gordon Graadahl
Photo and video: Eduardo Scaramuzza
Video: Henriette Heimdal

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Co-production: TOU and RAS Regional Arena for Contemporary Dance. Supported by: Arts Council Norway, Rogaland County Council, Stavanger Municipality, BIRCA Bornholm, Q&A Studios Aarhus, Velferden scene for contemporary art.

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