Christoffer Nobin

Christoffer Nobin is one of Sweden’s most established orchestral conductors, as well as a composer, arranger, songwriter, performer, and musical director. He has established himself as one of the most sought-after Scandinavian conductors of his generation. In addition to collaborating with all the major Swedish and Danish symphony orchestras and opera houses, he has received widespread acclaim for his work with orchestras such as the London Symphony Orchestra and Die Deutsche Kammerphilharmonie Bremen.
Christoffer Nobin began his career as a classical singer and composer, earning a double degree from the Malmö Academy of Music before continuing his studies in conducting at the Royal Danish Academy of Music, where he completed his diploma in 2012. Even as a student, he secured a multi-year contract as conductor of the Helsingborg Symphony Orchestra and worked as an assistant to some of the world’s leading conductors, including Paavo Järvi and Louis Langrée. Since then, he has established himself as one of the most sought-after conductors of his generation in Scandinavia. Internationally, he has worked with the Metropolitan Opera in New York, the Deutsche Kammerphilharmonie Bremen, and the London Symphony Orchestra, and he has toured extensively in France, Germany, Austria, Hungary, England, Denmark, and Japan.
As a composer, Christoffer has written several operas and musicals, and he regularly arranges music for Sweden’s leading symphony orchestras. He has also conducted and arranged music for a number of films and video games. Among other things, he orchestrated and conducted the recording of the soundtrack for Candy Crush —at the time the world’s most-played video game—at Abbey Road Studio One in London.
He works closely with many Swedish artists both as a conductor and producer, including Laleh, Benjamin Ingrosso, Veronica Maggio, Magnus Carlson, Amanda Bergman, and Sarah Klang. Together, they have performed at venues such as the Avicii Arena, Stockholm Concert Hall, and Berwaldhallen, as well as on radio and TV. His adaptation of La clemenza di Tito, Mozart’s final opera, has been performed at both the Barbican Centre in London and the Vienna State Opera.
Christoffer has also served as music director at the Norrlandsoperan and as musical and artistic director of the Nordic Wind Ensemble. He is an alumnus of the think tank Unga tankar om musik, teaches conducting at the Royal College of Music in Stockholm, and serves as an advisor on classical music to Stockholm’s Cultural Committee.
Since the fall of 2024, he has also served as program director at Musikaliska Kvarteret in Stockholm—Sweden’s first concert hall.